Evelina Kehagia is a Greek artist whose work explores parasitic relationships, dystopian structures, and systems of decay. Drawing from science fiction, fossils, video games, and post-humanist speculative ecosystems, her practice examines how organic and synthetic elements become interlinked, co-dependent, or infected.

Her sculptures often incorporate anatomical, mechanical, and industrial forms: artificial wombs, failed organs, exposed circuits. She collects discarded objects from abandoned spaces, remnants stripped of their original function, and subjects them to chemical processes, fusing materials into new hybrid entities. These works exist in a state of tension where hosts and parasites coexist and alter one another.

There is a recurring interest in mutation, collapse, and survival through transformation. Decay becomes a method of connection rather than an end point. Nothing remains untouched or autonomous. Everything is embedded, inhabited, reshaped.