Fatalism is the sonic and conceptual persona of Salem Rashid Skourlis—an artist, composer, and filmmaker whose work confronts the entanglement of natural intelligence and synthetic systems. Moving between ritual performance, speculative cinema, and installation, his practice emerges at the fault lines of post-industrial collapse and mythic renewal. With an ethos shaped by diasporic memory, esoteric inquiry, and ecological urgency, Fatalism channels frequencies from fractured pasts and possible futures. Concerned with the erasure of organic consciousness under accelerating technological regimes, he composes using both cybernetic architectures and bioacoustic phenomena—rendering sound not only as signal, but as spell, scar, and sentience.
Fatalism is the sonic and conceptual persona of Salem Rashid Skourlis—an artist, composer, and filmmaker whose work confronts the entanglement of natural intelligence and synthetic systems. Moving between ritual performance, speculative cinema, and installation, his practice emerges at the fault lines of post-industrial collapse and mythic renewal. With an ethos shaped by diasporic memory, esoteric inquiry, and ecological urgency, Fatalism channels frequencies from fractured pasts and possible futures. Concerned with the erasure of organic consciousness under accelerating technological regimes, he composes using both cybernetic architectures and bioacoustic phenomena—rendering sound not only as signal, but as spell, scar, and sentience.
Fatalism is the sonic and conceptual persona of Salem Rashid Skourlis—an artist, composer, and filmmaker whose work confronts the entanglement of natural intelligence and synthetic systems. Moving between ritual performance, speculative cinema, and installation, his practice emerges at the fault lines of post-industrial collapse and mythic renewal. With an ethos shaped by diasporic memory, esoteric inquiry, and ecological urgency, Fatalism channels frequencies from fractured pasts and possible futures. Concerned with the erasure of organic consciousness under accelerating technological regimes, he composes using both cybernetic architectures and bioacoustic phenomena—rendering sound not only as signal, but as spell, scar, and sentience.
Fatalism is the sonic and conceptual persona of Salem Rashid Skourlis—an artist, composer, and filmmaker whose work confronts the entanglement of natural intelligence and synthetic systems. Moving between ritual performance, speculative cinema, and installation, his practice emerges at the fault lines of post-industrial collapse and mythic renewal. With an ethos shaped by diasporic memory, esoteric inquiry, and ecological urgency, Fatalism channels frequencies from fractured pasts and possible futures. Concerned with the erasure of organic consciousness under accelerating technological regimes, he composes using both cybernetic architectures and bioacoustic phenomena—rendering sound not only as signal, but as spell, scar, and sentience.
Fatalism is the sonic and conceptual persona of Salem Rashid Skourlis—an artist, composer, and filmmaker whose work confronts the entanglement of natural intelligence and synthetic systems. Moving between ritual performance, speculative cinema, and installation, his practice emerges at the fault lines of post-industrial collapse and mythic renewal. With an ethos shaped by diasporic memory, esoteric inquiry, and ecological urgency, Fatalism channels frequencies from fractured pasts and possible futures. Concerned with the erasure of organic consciousness under accelerating technological regimes, he composes using both cybernetic architectures and bioacoustic phenomena—rendering sound not only as signal, but as spell, scar, and sentience.