Kornelia Remø Klokk (b. 1989) mainly works with textiles, sound, and installation, blending aspects of traditional craft with technology. Her work draws on references from horror, speculative fiction, and escapism, creating embodied environments through a loop of mythopoesis, world-building, and constructed reality.
She holds an MFA from Oslo National Academy of the Arts and a BA (Hons) in Painting & Printmaking from Glasgow School of Art. Recent exhibitions include, among others: ECCE VERMIS: endless ooze recursion, Heimdal Kunstforening, Norway (2025); Norwegian Situations, NADA East Broadway, New York, USA (2024); SUPPORTING ACT equinox: the invocation of the xenosphere, Emmanuel Vigeland Museum, Norway (2024); Sub-terrestrial Decay of Abysmal Ooze, Podium, Norway (2023); and Such Stuff as Worlds are Made On, Spazju Kreattiv, Malta (2022).
Kornelia Remø Klokk (b. 1989) mainly works with textiles, sound, and installation, blending aspects of traditional craft with technology. Her work draws on references from horror, speculative fiction, and escapism, creating embodied environments through a loop of mythopoesis, world-building, and constructed reality.
She holds an MFA from Oslo National Academy of the Arts and a BA (Hons) in Painting & Printmaking from Glasgow School of Art. Recent exhibitions include, among others: ECCE VERMIS: endless ooze recursion, Heimdal Kunstforening, Norway (2025); Norwegian Situations, NADA East Broadway, New York, USA (2024); SUPPORTING ACT equinox: the invocation of the xenosphere, Emmanuel Vigeland Museum, Norway (2024); Sub-terrestrial Decay of Abysmal Ooze, Podium, Norway (2023); and Such Stuff as Worlds are Made On, Spazju Kreattiv, Malta (2022).
Kornelia Remø Klokk (b. 1989) mainly works with textiles, sound, and installation, blending aspects of traditional craft with technology. Her work draws on references from horror, speculative fiction, and escapism, creating embodied environments through a loop of mythopoesis, world-building, and constructed reality.
She holds an MFA from Oslo National Academy of the Arts and a BA (Hons) in Painting & Printmaking from Glasgow School of Art. Recent exhibitions include, among others: ECCE VERMIS: endless ooze recursion, Heimdal Kunstforening, Norway (2025); Norwegian Situations, NADA East Broadway, New York, USA (2024); SUPPORTING ACT equinox: the invocation of the xenosphere, Emmanuel Vigeland Museum, Norway (2024); Sub-terrestrial Decay of Abysmal Ooze, Podium, Norway (2023); and Such Stuff as Worlds are Made On, Spazju Kreattiv, Malta (2022).
Kornelia Remø Klokk (b. 1989) mainly works with textiles, sound, and installation, blending aspects of traditional craft with technology. Her work draws on references from horror, speculative fiction, and escapism, creating embodied environments through a loop of mythopoesis, world-building, and constructed reality.
She holds an MFA from Oslo National Academy of the Arts and a BA (Hons) in Painting & Printmaking from Glasgow School of Art. Recent exhibitions include, among others: ECCE VERMIS: endless ooze recursion, Heimdal Kunstforening, Norway (2025); Norwegian Situations, NADA East Broadway, New York, USA (2024); SUPPORTING ACT equinox: the invocation of the xenosphere, Emmanuel Vigeland Museum, Norway (2024); Sub-terrestrial Decay of Abysmal Ooze, Podium, Norway (2023); and Such Stuff as Worlds are Made On, Spazju Kreattiv, Malta (2022).
Kornelia Remø Klokk (b. 1989) mainly works with textiles, sound, and installation, blending aspects of traditional craft with technology. Her work draws on references from horror, speculative fiction, and escapism, creating embodied environments through a loop of mythopoesis, world-building, and constructed reality.
She holds an MFA from Oslo National Academy of the Arts and a BA (Hons) in Painting & Printmaking from Glasgow School of Art. Recent exhibitions include, among others: ECCE VERMIS: endless ooze recursion, Heimdal Kunstforening, Norway (2025); Norwegian Situations, NADA East Broadway, New York, USA (2024); SUPPORTING ACT equinox: the invocation of the xenosphere, Emmanuel Vigeland Museum, Norway (2024); Sub-terrestrial Decay of Abysmal Ooze, Podium, Norway (2023); and Such Stuff as Worlds are Made On, Spazju Kreattiv, Malta (2022).