Mantas Valentukonis (b. 1998) is a young-generation painter whose canvases depict overlapping spaces of reality and digitality. The matrices of realism and virtuality in Mantas’ works are, in a certain sense, in conflict — the planes of the picture, which often collide, are separated by different painting techniques, thus highlighting the visual and conceptual differences between the two.
By experimenting with various media and technologies such as image processing programs, computer games, CGI, photogrammetry, or augmented reality, the artist searches for a visual language as a work of art.
Mantas Valentukonis (b. 1998) is a young-generation painter whose canvases depict overlapping spaces of reality and digitality. The matrices of realism and virtuality in Mantas’ works are, in a certain sense, in conflict — the planes of the picture, which often collide, are separated by different painting techniques, thus highlighting the visual and conceptual differences between the two.
By experimenting with various media and technologies such as image processing programs, computer games, CGI, photogrammetry, or augmented reality, the artist searches for a visual language as a work of art.
Mantas Valentukonis (b. 1998) is a young-generation painter whose canvases depict overlapping spaces of reality and digitality. The matrices of realism and virtuality in Mantas’ works are, in a certain sense, in conflict — the planes of the picture, which often collide, are separated by different painting techniques, thus highlighting the visual and conceptual differences between the two.
By experimenting with various media and technologies such as image processing programs, computer games, CGI, photogrammetry, or augmented reality, the artist searches for a visual language as a work of art.
Mantas Valentukonis (b. 1998) is a young-generation painter whose canvases depict overlapping spaces of reality and digitality. The matrices of realism and virtuality in Mantas’ works are, in a certain sense, in conflict — the planes of the picture, which often collide, are separated by different painting techniques, thus highlighting the visual and conceptual differences between the two.
By experimenting with various media and technologies such as image processing programs, computer games, CGI, photogrammetry, or augmented reality, the artist searches for a visual language as a work of art.
Mantas Valentukonis (b. 1998) is a young-generation painter whose canvases depict overlapping spaces of reality and digitality. The matrices of realism and virtuality in Mantas’ works are, in a certain sense, in conflict — the planes of the picture, which often collide, are separated by different painting techniques, thus highlighting the visual and conceptual differences between the two.
By experimenting with various media and technologies such as image processing programs, computer games, CGI, photogrammetry, or augmented reality, the artist searches for a visual language as a work of art.