Sofija Laurušonytė (b. 2002) articulates feminist issues in her works, focusing on themes such as female identity, the body, and violence. Her practice primarily employs moving images created with contemporary animation technologies. She transforms animation into a tool for critical discourse, sensitively exploring complex subjects. Sofija experiments with organic and dynamic forms both in digital and physical spaces. Her installations incorporate sculptural objects made from carefully selected materials reflecting the themes addressed. The young artist’s works have been presented at the biennial "Chroniques" (2024, France), the experimental film festival "Compressed Time" (2024), as well as exhibitions "Transmission" (2025, Atletika) and "Mediaramos" (2023, Titanikas).
Sofija Laurušonytė (b. 2002) articulates feminist issues in her works, focusing on themes such as female identity, the body, and violence. Her practice primarily employs moving images created with contemporary animation technologies. She transforms animation into a tool for critical discourse, sensitively exploring complex subjects. Sofija experiments with organic and dynamic forms both in digital and physical spaces. Her installations incorporate sculptural objects made from carefully selected materials reflecting the themes addressed. The young artist’s works have been presented at the biennial "Chroniques" (2024, France), the experimental film festival "Compressed Time" (2024), as well as exhibitions "Transmission" (2025, Atletika) and "Mediaramos" (2023, Titanikas).
Sofija Laurušonytė (b. 2002) articulates feminist issues in her works, focusing on themes such as female identity, the body, and violence. Her practice primarily employs moving images created with contemporary animation technologies. She transforms animation into a tool for critical discourse, sensitively exploring complex subjects. Sofija experiments with organic and dynamic forms both in digital and physical spaces. Her installations incorporate sculptural objects made from carefully selected materials reflecting the themes addressed. The young artist’s works have been presented at the biennial "Chroniques" (2024, France), the experimental film festival "Compressed Time" (2024), as well as exhibitions "Transmission" (2025, Atletika) and "Mediaramos" (2023, Titanikas).
Sofija Laurušonytė (b. 2002) articulates feminist issues in her works, focusing on themes such as female identity, the body, and violence. Her practice primarily employs moving images created with contemporary animation technologies. She transforms animation into a tool for critical discourse, sensitively exploring complex subjects. Sofija experiments with organic and dynamic forms both in digital and physical spaces. Her installations incorporate sculptural objects made from carefully selected materials reflecting the themes addressed. The young artist’s works have been presented at the biennial "Chroniques" (2024, France), the experimental film festival "Compressed Time" (2024), as well as exhibitions "Transmission" (2025, Atletika) and "Mediaramos" (2023, Titanikas).
Sofija Laurušonytė (b. 2002) articulates feminist issues in her works, focusing on themes such as female identity, the body, and violence. Her practice primarily employs moving images created with contemporary animation technologies. She transforms animation into a tool for critical discourse, sensitively exploring complex subjects. Sofija experiments with organic and dynamic forms both in digital and physical spaces. Her installations incorporate sculptural objects made from carefully selected materials reflecting the themes addressed. The young artist’s works have been presented at the biennial "Chroniques" (2024, France), the experimental film festival "Compressed Time" (2024), as well as exhibitions "Transmission" (2025, Atletika) and "Mediaramos" (2023, Titanikas).